Showing posts with label library stuff. Show all posts
Showing posts with label library stuff. Show all posts

January 6, 2014

Brooding, rambly thoughts on #precarityis

A few days ago, Myron (fellow librarian, former classmate, library advocate, and noted rabble-rouser) started the Twitter hashtag #precarityis to open up the much-needed conversation about precarious employment in the library world (in particular, but by no means limited to libraries in the Lower Mainland). Since then I've been closely following the hashtag, subsequent blog posts, and Facebook comments. The topic really resonated with me having been in a state of precarious work my entire working life without ever really being conscious of that fact. Next year marks the dubious occasion where my employment in libraries equals exactly half my life.

Duck at the Botanics, Edinburgh, cropped from previous version. Taken from English Wikipedia by en:User:Kitkatcrazy.
from English Wikipedia by en:User:Kitkatcrazy.

I wanted to share some thoughts/insights because I feel like I'm in a unique position to speak about it with my job situation(s) (working as an auxiliary librarian in two local library systems), but I totally know I'm not in a unique position at all. Precarity is the norm. Many (if not most) of my colleagues, co-workers, and friends are all somewhere along the spectrum of precarity and if they're not, it just might be that they left town. And not just librarians, but shelvers, library assistants, library technicians, and so on. We've been raised in an ecosystem of precarity. I had to rush out this post so i didn't chicken out or forget what I wanted to say. I'm so not a soapboxy person. "Be like the duck" has been a long-time personal mantra: calm on the surface, paddling like the dickens underneath. Or in the immortal words of Thumper, "If you can't say something nice, don't say nothing at all." Head down, non-confrontational, that's my M.O. so I've really been going back and forth about whether or not to go ahead with this blog post. But last week, I read this article by football player Chris Kluwe (with greater stakes and under greater scrutiny) about his speaking out for same-sex marriage rights. That convinced me it's time for me to say some things that need to be said. It's important to have this conversation, to add to it, to help inform those outside the precarity situation about how and why it's like this. The mental and physical toll precarity takes on an organization's employees.  I hope this is viewed as an effort to make my libraries better.

Some context:

#PrecarityIs
The hashtag conversation that kicked things off

Wikipedia article on precarity
Until last week, I was unfamiliar with this term, though it exactly describes the current state of affairs in libraries.  I realize precarity extends well beyond libraryland, but that's where this conversation is focused.

Insightful blog posts from fellow librarians:
*  #precarityis what happens to the best minds of my generation  [Librarianaut]
*  #PRECARITYIS…  [Metacate]
*  On Precarity  [Bibliocracy]



Before moving to Vancouver, I'd honestly never heard of the term "auxiliary" in the context of a job. When I started applying for library jobs here in 2008, it took me a long while to get my head around the logistics of the on-call/auxiliary system because it's fairly counterintuitive, yet it's the defining trait of library work in the Lower Mainland. I had first applied for an auxiliary shelver position at a local public library. Nevermind that I'd already worked 8 years in higher positions at libraries in Alberta, public and academic, but this was one of those "foot in the door" moves that is always advised by well-wishers until you realize 5 years later you've only managed to wiggle your way through the door up to your knee and that you're doing the splits because you have your other limbs stuffed in other doors. We'll talk about the schizophrenia of this lifestyle later. It started with a big room of ~100 applicants assembled for a written test, which would narrow down the field for later in-person interviews. As we read over the cover sheet of what the position entailed, someone raised their hand and asked for clarification on a strangely worded sentence. The moderator's response: employees had to make themselves available for at least 20 hours a week, while no minimum hours were guaranteed. That person audibly rolled their eyes and walked out while the rest of us put our heads down and started the written test. Props to that person, but I guess no one else had the luxury of turning down a job with no guaranteed hours. Later I did a group interview with 4 other candidates and even later a one-on-one interview. To date, it's the longest and toughest hiring process I'd had to go through for any job, let alone an entry-level, zero-hours position. A couple weeks later I got a rejection letter in the mail. A couple months later after a similar hoop-jumping experience, I did eventually get hired as an auxiliary Library Assistant. For the past 5 years, whenever I'd Skype with my parents, my dad would always ask what's your schedule like or how much work are you getting? Eventually he learned to stop asking because I could never give a straight answer and the question was driving me crazy. The only regularity is irregularity.

Getting hired was the just first step. At orientation, the big question was how you go about getting hours. The answer is you become a door-to-door salesmen and "get your face out there". You've got a golden ticket into the factory, now you have to hustle for work. I cold called, cold e-mailed, wandered around to branch libraries giving out my phone number. I shouldn't have to point out how demoralizing this is as an "employee". Mass e-mails became the de facto method of finding out about shifts. You and other auxiliaries are pitted against each other in a mad scramble to reply within the first 2 minutes of receiving a call-out. Notably, this favoured those with smartphones or those who sat around at a computer all day. After hopping from branch to branch, I soon lucked into filling hours to cover a long-term disability, which kept getting extended indefinitely. I was basically working full-time hours at a single location (ideal!) and this amazingly lasted over two years. Two years of regular, full-time work that was not technically classified as "regular, full-time" work, meaning no benefits and no accrued seniority. Then I decided to go to library school and it was back into the auxiliary pool and back to hustling. All your colleagues sympathize because they've mostly gone through the same system until they got where they are, but some people never break out of it. I've met co-workers who've been auxiliary 5, 8, 10, 15 years and that scares me. I'm one year into auxiliary librarianship (five going back to my library assistant days) and I have another 5-10 years of this to look forward to? Or will I be auxiliary for life? I know I've already been bypassed on the ladder by later graduates with more out-going and go-getter personalities (see: resentment among auxiliaries. But no knocks against them, they're legitimately awesome people). I've given interview/job advice to people to help them get jobs since it's in my nature to have a sharing/collaborative, pay-it-forward philosophy, but it feels a lot like self-sabotage.

When you're hired as an auxiliary there's a tacit understanding you probably will, if you don't already, have another job to make up the shortfall. In the library world, a lot of us work in two or more separate library systems in multiple cities in the Lower Mainland. It's unusual here in that there are so many distinct library systems within a relatively small geographic area. Even though we're in unionized positions, the separate unions/systems mean we can and do willingly work around limits to hours worked in a day or week. Across multiple library systems, your potential hours of work are 7 days a week, morning/afternoon/night. It's a rare class of job where you can be both overworked and underworked simultaneously [**EDIT: as has been pointed out to me, this is not rare at all. That's just me with my libraryland blinders on].  You may be frequently work 40+ hours over a 7 day work week because the work calendar looks awfully blank three weeks down the line. I try to avoid it, but myself and others occasionally agree to work 4 hours at one library and scramble to another municipality's library for a 8 hour shift on the same day. Why? To keep all the plates spinning so one system doesn't forget about you. This fall, I was averaging 2-3 days off a month. Everything else just ran together into an amorphous "work month". On ostensible days off, there's always the looming threat of a phone call too. It's hard to say no to shifts because you might not be asked again.  Yeah, the system "works" in the sense that you can theoretically get lots of hours, as long as you accept as an auxiliary that when you're working someone else is not working.

On the flip-side, no guaranteed hours means you can virtually disappear for unpaid vacations at leisure. Don't feel like working? Turn off your phone. I've been at this so long, I've been conditioned to fear full-time when the opportunities have presented themselves. What's the big deal about dental plans? Extended health care? Paid sick leave? Paid vacation? What are these things and how do they work? A couple weeks ago I took a paid vacation for the first time in my life and felt guilty about it. Would these feelings change if I got a permanent, full-time job or would that just make me a lottery winner among colleagues? There's something broken at the systems in place here. I felt it when I moved here and it's lately come into sharp focus.  I don't know how, but morale among staff has actually dropped since I started and it was certainly at no high point then.


What does precarious work do to your brain? I used to joke that "Ha ha ha, I don't even know what day it is!" but now it's often a sad fact: "Um, what day is it today?". That's what happens when there's no distinction between a weekday and weekend. Everyday can be like the first day of a new job (with all the associated stress that would typically entail) with new faces and procedures to learn. Even within the same library system, individual branches have their own fiddly ways of doing things despite efforts to standardize things systemwide. You expend tremendous effort thing to get a grip on things, only for it to be yanked away since you may not be there for weeks or months and you'll have to do it all over again. You don't fully internalize the borrowing policies and hours of where you work because the where and what changes on a daily basis. The biggest public library system around here has about 20 branches (plus numerous departments at the main branch); other local systems have anywhere from one standalone library up to 9 branches. If you work in multiple systems, you could end up almost anywhere on any given day. You end up getting a orientation for each new branch you work at or re-orientation if you haven't been there in months. I imagine this ends up costing libraries more time/money than they realize when you've got hundreds of auxiliaries in a constant state of receiving orientations and branch tours. As an auxiliary librarian, you're put in a position where ironically you're the most senior person on staff: responsible for emergency responses, where fire extinguishers are, etc. Sometimes you even grow an anxiety over accepting shifts at new worksites. On one particularly challenging early shift as new librarian, I had a fire alarm, broken sliding door, and abandoned child to handle. Thankfully I was able to resolve these situations (following some panicky phone calls). Was it by the book? I don't know since I was still reading the book. Repeatedly going over procedures is a task often assigned to auxiliaries because a)you need it and b)you can't be given meaningful long-term projects.

You have to consciously prioritize whose names and faces to remember because you may see them tomorrow or never. I've met new colleagues and said "It's a pleasure to meet you and I'll never see you ever again!" as a joke, but I've seriously never seen them again. Auxiliaries suffer from isolation in the work place. You walk in, do your time, walk out. People don't really get to know you. This Christmas, I went to multiple staff Xmas parties. People thought I was just cynically doing "rounds" to put my face out there. I'd be lying if that wasn't partially true (which I hate), but it's hard being outside the team and out of the loop. If I didn't put in the effort, I wouldn't see work-friends or get a sense of any sort of workplace solidarity. This past year, I've started to become aware of my memory issues with names and faces. My mum told me someone from [public library in Alberta] said hi and that she used to work with me at [library in BC]. I had absolutely no idea who she was talking about, but they knew me. This has now sadly happened a couple times. I thought this was my brain's inevitable aging process, but then I also realized that at no point in my life have I ever been required to know so many names and faces. If I were to write down the names of everyone in libaryland I know by name, it's an epic list. At one system there are like 800 staff alone that you may be called upon to recall at any moment. Of course, no one actually expects this, but it's embarrassing the frequency of the whole "have we met?" conversations or "Hello… you." greetings we dole out. On my bike ride to work, I'd mentally try to remember anyone I might encounter at that particular branch that day. Another system: 4 branches, another 100 employees. It becomes difficult to create meaningful connections with colleagues, let alone patrons. My heart drops when a patron or child thanks me for something I did last week and I don't even recognize them. This is simply detrimental to the customer service ideals we espouse.

After all that doom and gloom, the truth is I like my job(s) a lot.  I've made it work for me.  The scary thing is that I know (or hope) that I'm in a relatively good and stable situation at the moment. I'm debt-free and my only dependent is a meowy cat. I'm working temporary full-time at one library plus a upcoming semi-regular gig on Saturdays, so I'm down to a 6-day work week (from 7-days, pre-December). But after May, who knows? I've got a healthy resume, lots of experience, skills/adaptability, feet in doors, toes in pools, thumbs in pies. All on the perhaps misguided belief that it'll all pan out. I can't help being a hopeless optimist.

When I left Alberta, I was working a 17.5hr part-time (obviously, just below the benefits cutoff) at a library I loved, but wasn't going anywhere. It was a emotionally a big deal the day I went to hand in my resignation letter. I wanted to give my assistant manager the heads up directly. I was super nervous going into her office, but when I announced the news her eyes lit up. She was thrilled and excited for me. She was in her last weeks before retirement and told me something I'll never forget (completely paraphrasing here): "The great machine will churn on without you, without me." I knew it was going to be this way before I decided to go into library school: comparatively low pay, slim job prospects. But I freakin' LOVE libraries. I believe in libraries. And sometimes I wish it went both ways.

June 13, 2011

T-Minus 6 days to London!

Next Sunday I'm off to London, England for almost three weeks. I've been there a couple times before but always for just a couple days max on the way to/from Europe, so I've hit most of the main highlights but will now actually have time to breath and visit at a leisurely pace. I have a full page of scribbled notes (and then some) from a combination of guide books and blogs (mainly Londonist) where I scoured for unique things to see and places to go while I'm there. Here's my Top 10 of most anticipated things:

1. The BFI National Library
The driving force behind this entire trip is my two-week library school practicum to be completed at the British Film Institute National Library. I had been trying for months to secure a unique practicum experience that aligns with my personal interests and goals (there are not a heckuva lot of dedicated film libraries out there), so I was absolutely thrilled when I found out I was accepted for this stint at the BFI Library!

2. John Barry Memorial Concert
My obsession with the world of James Bond theme songs started in grade 7 when a school friend gave me a Best of James Bond 30th Anniversary CD for my birthday and little did he know how influential that would become in my developing music tastes. When I checked the London concert schedule (always a vacation must), I saw that there was to be a memorial for the late, great Bond composer John Barry who passed away in January. I knew I had to be there if at all possible. Barry composed 11 of the first 14 film scores for the Bond series from Dr. No through The Living Daylights, including the signature James Bond theme, a source of never-ending controversy (it's officially credited to Monty Norman, but it's supposedly Barry who transformed the arrangement into what we all know and love). But there's not doubt, the big brassy, lush sound that permeates the Bond series is all John Barry who, in addition to the actual film scores, co-wrote the classic themes to Goldfinger, Thunderball, You Only Live Twice, and On Her Majesty's Secret Service, just to name a few. It cost a sweet (money)penny to score a ticket to to this memorial concert at the Royal Albert Hall(!), which will feature Dame Shirley Bassey, The Royal Philharmonic Orchestra conducted by Nicholas Dodd, and tributes by Sir Michael Caine, Sir George Martin, and Timothy Dalton, among others. Should be brilliant.

3. Canada Day in Trafalgar Square
I won't even have been gone two full weeks at this point, but in case I get homesick there's a big Canada Day celebration (reportedly the largest outside Canada) for Londoners and ex-pats in Trafalgar Square. The all-day event will include some sort of Visit Canada pavilion, a street hockey tournament, mounties, imported Tim Hortons, and presumably overpriced poutine. There will also be a number of musical performances from the likes of Oh My Darling, Alex Cuba, Lennie Gallant, and more. I'm excited to see former Philosopher King guitarist James Bryan (apparently now based in London) who will be performing with jazz singer Tammy Weis. Plus, the reliably excellent Blue Rodeo will be headlining. As if that's not enough CanCon, the next day The Barbican is hosting Canadian Blast: A Celebration of Canadian Sound and Vision with Devon Sproule, Chilly Gonzales, Mantler, Ryan Driver, Sandro Perri, The Hidden Cameras, and Woodpigeon. Some of that is ticketed but other performances (such as the awesome Maylee Todd!) will be free.

4. Free museums & galleries
One of the amazing things about London is the glut of free (or rather, by donation) world class museums and galleries. The National Gallery, the National Portrait Gallery (way cooler than I expected last time I went), Tate Britain, Tate Modern, British Museum, Serpentine Gallery, and so on. I also just found out a couple days ago that the Andipa Gallery is also having an exhibition of Banksy works while I'm there. Again, free! Of course, if I'm bored I can go on a free scavenger hunt for Banksy street art that hasn't been painted over or removed.

5. Phantom of the Opera 2: Die Harder
Ok, so Andrew Lloyd Webber's 20+ years later sequel to the Phantom of the Opera opened last year to mixed reviews and, really, I haven't actually heard anything good OR bad about it (simply nothing). But I'm morbidly curious and loved the original musical. Of course, throw in half-price tickets from the tkts booth and I'm there!

6. You're Gonna Need a Bigger Boat Film Quiz
Over the past year, I've become enamored with the pub quiz tradition, which of course originates in the UK. They take things seriously over there (an estimated 22,000+ pubs have weekly quizzes), so I knew I wanted to take part and what better than an all-film pub quiz?!

7. Deathly Hallows, Part II world premiere
Yeah, I'm a bit of a nerd. It'll probably nutso busy (I've already read about people planning to camp out days in advance), but it'll be fun to see the spectacle, stars, and all that. The whole red carpet and all will be happening in and around Trafalgar Square. I'll be popping by after work, probably way too late but we'll see what happens.

8. Jamie Cullum Under the Bridge
Not long after my London dates were already confirmed, I caught word via Jamie Cullum's newsletter that he'd be playing an "intimate full band show" while I'd be there. At 2am on a Sunday, full details were announced and I was able to secure tickets to this late addition to the BluesFest London at the newly built Under the Bridge, a 600-capacity club under the Stamford Bridge stadium, home to Chelsea FC. Score!

9. Olympic Park
I am told there are free tours of the under construction Olympic Park. I'm particularly curious about Anish Kapoor's Orbit Tower (he also did the giant bean in Chicago).

10. London
Ah, who cares what I'll be doing. Knowing me, I'll simply be wandering the streets and riding the tube aimlessly until I stumble on something interesting. I'm in London!

March 1, 2011

Long-winded Serendipity '11 Recap

Last Saturday, I attended Serendipity, an all-day conference put on by the Vancouver Children's Literature Roundtable. This year's event was billed as an Graphic Novel Extravaganza with a talented panel of guests including Gene Yang (American-Born Chinese), Raina Telgemeier (Smile), Matt Holm (Babymouse), Aaron Renier (Spiral-Bound), Jason Shiga (Meanwhile), and Valerie Wyatt (How to Build Your Own Country). Naturally, I had to go! I may even have to go next year with the already-announced Asian Books for Children.

Alas, I forgot my camera, but I brought a couple books to be signed (and ended up with a few more!).


It started way too early on a cold Saturday morning with a continental breakfast and author signings, but it was a small price to pay to meet and chat (awkwardly) with these comic creators. I recognized a couple fellow SLAISers and at least one VPLer, though on the whole I had no idea who the majority of these attendees were (teachers? librarians? budding cartoonists?). First up, I approached Raina Telgemeier, whose autobiographical Smile chronicles her orthodontic adventures as a teenager. I first found out about Raina and Smile last year after her appearance on The Ink Panthers, Alex Robinson and Mike Dawson's comic podcast where they try not to talk about comics. Anyone who's had braces (myself included) can identify with her charmingly told coming of age story while cringing at the haunting memories of brace wires being tightened. You'll also feel relief that you probably did not have it as bad as Raina who had headgear and the whole bit after knocking out her two front teeth.


Raina was with her husband and fellow comic book creator Dave Roman, who a few years ago actually proposed to her in comics-form! I later realized that my conference package included a pre-release copy of his new book Astronaut Academy: Zero Gravity, so I had to hop back to their table later to have him sign his book.


I met Gene Yang next, who really is pretty much the nicest guy ever. In addition to writing and illustrating the award-winning American Born Chinese, he's a high school teacher of computer science in California. I was very jealous of the buyer in the silent auction who snagged an early copy of his latest video game themed graphic novel Level Up, illustrated by Thien Pham. It's out in June, so I'll just have to patiently wait for now.

When I approached Gene, I actually brought a gift for him... One of my favourite childhood comics (I suppose they'd label this a graphic novel these days) was Adventures of the Magic Monkey Along the Silk Roads, which was pretty much the only comic other than Tintin and Asterix at the children's library in Edmonton. I can still picture the beat-up old copy, which had been rebound with a generic purple cover with white writing on the spine. It's based on the same Journey to the West story of the Monkey King that Gene incorporated into American Born Chinese. I rediscovered this book a few years ago when someone donated their entire graphic novel collection to the Strathcona Library. Some research revealed some things I hadn't realized as a kid: the book was commissioned in 1983 by the Royal Ontario Museum in Toronto in conjunction with an exhibition on the Silk Road of China with wonderful illustrations done by one of the museum's artists Anker Odum.

I seem to be the only person who's read this on GoodReads.com and the only online mention other than used book sites is a dismissive 1984 review from the University of Manitoba. I was pretty oblivious to the legend of the Monkey King and its storied history in Chinese culture, but when I read American Born Chinese a few years ago, I immediately recognized the story and was later inspired to read Arthur Waley's translation of Journey to the West. A couple interesting incarnations have appeared in recent years with Damon Albarn and Jamie Hewlett of Gorillaz fame collaborating on the 2008 Chinese opera Monkey: Journey to the West. Even a futuristic retelling in video game form was released last year called Enslaved: Odyssey to the West with Andy Serkis voicing and mo-capping Monkey, natch. Anyway, I insisted Gene take my copy of the Magic Monkey comic since it's fairly rare outside of Canada. I've already ordered my replacement copy for 20 cents (plus $6.49 shipping). Here's a link to Gene's tribute to the Monkey King. He actually recommends the David Kherdian translation of Journey to the West as an entertaining page-turner . . . added to my reading list!


At that point, the program was getting ready to begin. To my absolute surprise, the MC was someone I worked with in 2006 during a year stint at the Rutherford Library at the University of Alberta. It's a small library world! We were first treated to a charming presentation by Matt Holm talking about his background as an artist and the creation with his sister of the hit series Babymouse, which was the most checked-out children's title at the New York Public Library in 2010! Towards the end of his presentation, he invited someone up to help create a Babymouse illustration from scratch followed by a Q&A. His and the later presentations were variations of the ones they would typically be doing for school audiences, but heck we were all kids at heart here!

Next up was Raina who was initially joined on stage by Dave to read aloud an excerpt from Smile with Raina voicing herself and Dave everyone else. That's gotta be the first time I've seen a comic read aloud. She then went on to talk about her creative process and her path to becoming a cartoonist, before a quick round questions and drawing. Even the MC noted how novel it was to have guests draw on demand unlike previous guests of previous years ("30 seconds, write a short story, GO!").

After a short coffee break, Gene Yang went up to talk about his unlikely path into comics. He hilariously incorporated emoticons in his presentation representing the dismayed reactions of his parents to various points in his career path. When one of his comics appeared in the New York Times, his dad tromped around to various newsstands to track one down (somewhere in California) and paid FIVE whole dollars for it. Gene remarked, "Believe me, that's a lot for an old Chinese man!"

We were provided lunch boxes with sandwiches, a cookie, an apple, and juice boxes. Like elementary school revisited! During lunch there was also a limited-seating hands-on workshop with Aaron Renier and Jason Shiga who showed us some simple techniques to creating DIY mini-comics. Jason showed us an ingenious choose-your-own-adventure style folding comic, which can also be viewed in this youtube video. Things got a bit weird towards the end when the session devolved into people shouting at them, essentially forcing them to draw a chalk jam comic in 30 seconds. I felt awkward on their behalf and embarrassed on our behalf.

The afternoon featured Valerie Wyatt talking about How to Build Your Own Country, for which she was presented the 2010 Information Book Award from the VCLR. She also discussed aspects of the publishing world since her career has primarily been as an editor. This was followed by another hour with the full panel of guests (minus Wyatt) with everyone taking turns answering questions pre-submitted by the audience. Phew, it was a mighty full day and even I was fading a little by that point.

Lastly, there was a final round of signings. I was compelled to grab Aaron Renier's The Unsinkable Walker Bean once I saw the beautiful drawings that accompanied each of his signings. I forgot to ask him about it, but earlier it came up briefly that Aaron recently did some sort of illustration fellowship at Maurice Sendak's house! Here's part 1 of his blog post about the experience (part 2 forthcoming).


I also picked up a copy of Jason Shiga's Meanwhile (which I had previously read from the library). Meanwhile is a mind-bending choose-your-own-adventure, seemingly modeled after the time travel film Primer. I asked him about it and he hadn't consciously noticed the connection but admitted that Primer was his favourite time travel movie (even better than Back to the Future 2, he said). During the earlier panel, we learned that Shiga majored in Mathematics, which seems unusual for a cartoonist although you can definitely see a mathematics slant in the puzzle-like designs of his comics and stories. His claim that Meanwhile required a computer algorithm to calculate the ideal layout turned out to be a joke that I fell for because designing the book's complicated layout is nearly unfathomable to my puny mind. Another fun factoid that came up that day: Jason Shiga's dad was an animator on the old Rankin/Bass special, Rudolph the Red-Nosed Reindeer!

After I bought Meanwhile and came back to get it signed he asked me about a hypothetical situation: if you travelled back to time to buy a lottery ticket with the winning jackpot numbers, would they even be the same numbers? He argued they'd be different because the numbers would be randomly generated each time. I blathered about parallel universes and other stuff I couldn't articulate, eventually arguing that they should theoretically be the same numbers. You'd be travelling to an event that already took place, so the numbers would be the same. Shiga said he wasn't sure and we should defer to a physicist. Later that night, I remembered an essay I wrote in a sci-fi film class about Newtonian and Einsteinian paradigms of time travel narratives, comparing the films Twelve Monkeys and La Jetée. Years removed, that essay is borderline unreadable and I can't believe I wrote it, but basically one theory suggests everything has already happened including your time travel so nothing ever changes (the numbers would be the same) and the other allows for divergent timelines (numbers not necessarily the same). I guess it comes down to a philosophical debate about whether you believe in a deterministic or non-deterministic universe. In short, I love me some time travel narratives!

As usual, succinct blogging is not my forte, so I'm going to cut this off here. Needless to say, I had a blast!

November 12, 2010

"The New Technology"

I was quite surprised at finding an article in The Library Journal about the introduction of video games to the public library in Piqua, Ohio . . . dated April 15, 1981. Their goal: to introduce the 25,000 residents of their rural community to "the new technology". As part of their electronic learning center, the library bought a Radio Shack TRS-80 Level I microcomputer, a Sony Betamax with a Hitachi colour camera, and an Atari with 17 game cartridges.
"The potential problems of supervision were overcome by placing the games in a stack area beneath a stairway— an area just large enough for two players and the equipment. The location, secured by a decorative iron gate, is in clear view of the main circulation desk, and a 'No Spectators Permitted' rule is strictly enforced."
Oh, you want to play video games? Right over there under the stairs and behind the iron gate. Move along, nothing to see here.
"We did attempt to conceal the purely recreational nature of the videogames at first by purchasing a few learning games cartridges (spelling, math, etc.). Our cover was quickly blown, however, because these cartridges have been easily ignored by the players."

"The heaviest use (about 85 percent) is in the age range from ten to 15 years. An occasional parent-child team enjoys an hour together, encouraging us to believe that this is not an activity just for children."

"We have come to believe that videogames may have as acceptable a place among our electronic library services as light fiction, popular magazines, and comedy record albums have had among our more traditional offerings."
I found this article all sorts of amazing since I've been reading all about the same arguments and studies of video game collections being implemented in public (and academic) libraries, except this trend has pretty much just been over the past 10 years. Considering they were almost 30 years ahead of mainstream acceptance of video games in libraries, I say the Piqua Public Library deserves the slow clap. Bravo.